It's a rainbow wrap!

It’s been a while since I shared my rainbow squares on here, 2020 in fact, so quite a while! But I recently rediscovered them, and thought that it probably wouldn’t take me too much effort to finish this project off, and if I got my skates on I could take it on my travels next month.

After this post I shared a layout post on Instagram, convinced that I’d nailed the layout and I’d ‘pinned’ it together with stitch markers to save me having to remember what I’d decided on, which was helpful.

THE ORIGINAL LAYOUT

But the more I looked at this layout, the less convinced I was. And then I realised that with a simple switch I could have a different look - and well, there was no harm in trying was there, if I disliked it I could switch it back again as it’s not like I had attached them permanently.

And so I took the yellow and green ‘ends’ and switched them into the middle:

For me this layout just popped, and just this small change made me feel instantly better about the whole thing - and more importantly, it made me want to finish it. Isn’t colour a strange thing?

Anyway to finish it I needed to permanently attach the squares to each other, I’d initially thought I’d do that sewing them together rather than by joining as per the vintage pattern and crocheting. But now that I’d come to actually join them, the sewing together option was a non-starter; I didn’t have leftover wool in each colour and I’d lose some of the laciness, so it was back to the quite sparse instructions in the vintage pattern, and working out a new plan.

That new plan involved a new purchase

I thought about a white or a silver, but neither grabbed me when I tried those colours alongside my rainbow squares, so I checked out my usual online wool shops and got lucky. This ‘skyfall’ colourway from The Wool Kitchen is a perfect match to the original wool which came as part of the mini-skein club by Vicki Brown Designs.

With a bit more head scratching, lots more ‘pinned’ stitch markers and a bit of trial and error I worked it out, and quite quickly the short lengths and then the longer lengths were attached to each other.

ATTACHED!

A CLOSER LOOK AT THE JOIN

It already looks so much better than I could have imagined - and there’s a real chance I may just finish it soon too. I just need to add a row of double crochet around the edge and finish with a row of picot stitches - the pattern for this is just as sparse, but I’m confident it’s within my grasp.

Using my Gelli Prints

While creating the gelli prints is good fun, and slightly addictive, I knew that I needed to actually use them or otherwise you’d find me under several reams of them, and before long I’d probably need rescuing! The last class on the course was all about turning these wondrous prints into even more wondrous hand crafted items, and I left with quite a bundle of handmade items, some of which I probably wouldn’t have thought of or tried at home:

A HANDMADE NOTEBOOK, A CARD AND TWO BOOKMARKS - THE GELLI PRINT WAY!

Though I was rather pleased with them, and I’m already using the bookmark with the orange tag in my book - and in case you’re wondering the orange tag is repurposed from a Superdry tag. I can definitely see that I’ll be using scraps of gelli printing alongside many other items I’ve saved for crafting - and I’m already wondering how small is too small for saving these scraps!

But anyway, inspired by the series of four classes I took in Newark and knowing that if I just put this to one side it would probably stay there for a while, I wanted to set about creating some more cards. I’d already toyed with strips of gelli printing and liked that so wanted to try blocks as backgrounds, with a design on top.

Both of these cards use the same concept but have turned out very different - and I like them both. I used a stencil for the outline of the floral and meadow designs and then adapted these, so they’re less stencil-like, using my knowledge of plants and flowers.

And didn’t they work out well?

I wanted to try using some of the smaller scraps, and so that’s where gift tags came in. I think these were also successful and I used some scrap ribbon on both, and those black diagonal stripes - well they’re old dymo tape that I found in one of my many craft room boxes.

These three gift tags were originally intended as a card, however I realised my knowledge of birds is lacking and one (now cut out and discarded) wasn’t right at all. Not wanting to lose all of my work I repurposed these further making gift tags and adding ribbon saved from Christmas crackers many years ago as ties - and I’m not sure you’d know if I’d not told you.

My final make was again to avoid throwing away small scraps leftover from the card - and another gift tag. I think I could quite get into having coordinating cards and gift tags, though I’m not sure anyone other than me would notice!

I just know that there’s so many more uses for all of the gelli printing I already have, let alone the ones I’ve yet to print. I’m also pretty sure that this new craft is here to stay!

Creating plaids with gelli plate printing

In my previous post on learning to gelli print I shared how to print using stencils and shapes. Today I’m sharing how to create plaids, which I think is one of my favourite approaches so far. As with gelli plate printing generally, it’s quite random - so if you’re a perfectionist or like things measured exactly this may not be the craft for you. However, if you’re happy to go with the flow and see how things turn out, then I think you’ll love it.

I ended up with three plaid designs from the class which I’m sharing here, but this is something I will try again as it’s great to see how it’s going to turn out.

To create plaids you need more paper

It’s simple really, but you need to cut lengths of paper in the width you want, or varying widths to create your horizontal and vertical stripes. First you work the ‘stripes’ one way, and then the other, laying them on the gelli plate and working quickly as is the gelli printing way, so that your thin layer of paint doesn’t dry on the plate.

The results can be pretty spectacular, and you can reuse the extra strips of paper as many times as you need to to get the design you’re after. And even when that’s done, the strips of paper will be covered in their own unique colours and can be used for example in card making - the possibilities are endless.

Though that’s the danger I’ve found with gelli plate printing - I’m keeping more and more pieces with the view that I could use those ‘one day’ - a bit like you do, or well I do anyway, when cutting out fabric. And how small is too small, well one thing’s for sure and I think they’re probably different sizes for fabric and paper, just don’t get me to commit to what that is for either of them!

Experimenting with colours

You only have to Google ‘colour wheel’ to discover the theories and relationships between colour, and how you can use primary, secondary and tertiary colours, and I’m not about to explain that here, you’ll be pleased to know. But after trying the complementary colours above, I wanted to try something bolder for my next print - and I think the blue works with the reds and oranges, don’t you?

Using up those misprints

This is a great way to use, or reuse those prints which didn’t quite work the first time as you’re printing over the top adding more paint and therefore more interest as you go.

In the image below my starting point was a very patchy yellow print, but by adding vertical and horizontal stripes in reds and oranges I’ve created a pattern that I really like for it’s ‘distressed’ look, and which I know I’ll find plenty of uses for in my paper crafting days ahead.

Here I’ve only scratched the surface of the many, many combinations and patterns this technique can create - but as a taster I think you can see that it’s one that’s intriguing and has the potential for further exploration when I set up my gelli plate at home.

Yes I succumbed and bought my own gelli plate - it was inevitable really wasn’t it?